Stage

Materials

  • Reusing materials such as fabrics or props instead of buying new ones protects the environment. For example, materials that are screwed, rather than glued, together can be used again and again.

  • Buying second-hand material and material that carries an environmental label reduces the environmental footprint of a production.

  • When purchasing new materials, considering options for disposal, rental, or passing on increases their reusability and extends their life cycle.

  • The use of environmentally friendly, reusable and durable materials promotes more sustainable production. As a result, disposable products are no longer necessary.

  • If hazardous substances such as paints, varnishes, solvents and cleaning agents have to be used for stage sets or to clean rooms, more environmentally friendly alternatives can be considered.

  • New purchases can be channelled through public supply chains or shops. This strengthens local economies and produces fewer emissions than online purchases.

  • Repairing materials and costumes – instead of disposing of and replacing them – conserves resources and produces less waste.

  • Hazardous materials can be disposed of sustainably at waste disposal centres instead of with residual waste.

  • Lending or passing on materials to colleagues for reuse contributes to a climate-conscious approach. Shared storage areas also create networking opportunities.

  • A digital inventory list provides an overview of materials that can be lent or passed on. It closes the material cycle and helps when communicating with guests on the available materials.

Good to know

If necessary, materials must meet the requirements of fire protection regulations, for example B1. This should be clarified with those responsible for the venue or festival.

Further reading

Cradle to Cradle – Wiege zur Wiege e.V.: UMDENKEN – DIE C2C DENKSCHULE

HMV Hanseatische Materialverwaltung: Initiative für Materialkreisläufe (D / CH / AU)

Verbund offener Werkstätten: Was sind offene Werkstätten?

reparaturinitiativen.de: Reparaturinitiativen

Berufsgenossenschaft der Baugenossenschaft: Gefahrstoffsuche

Theater und Nachhaltigkeit: Fundus und Materiallager

Stiftung “Ecken wecken” depot.social: depot in Deiner Stadt/Region

SZENOGRAFIE-BUND e.V.: Arbeitsgruppe Ökologische Nachhaltigkeit – Der Leitfaden „Grüne Bühne“

Deutsche Theatertechnische Gesellschaft (DTHG): Nachhaltige Produktionen („Theatre Green Book“)

Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ): Siegelklarheit – Gezielt informieren. Bewusst einkaufen. Nachhaltig handeln.

Gerriets: Nachhaltigkeitsprojekt – Recycling von Tanzböden und Projektionsfolien

StuFF: Neue Materialzyklen für Theater und Szenografie

Theater und Nachhaltigkeit: Kostüm

Nachhaltige Kleidung: Übersicht nachhaltiger Materialien

dejure.org Rechtsinformationssysteme: Versammlungsstättenverordnung (Abschnitt 2 – Brandverhütung)

Stiftung “Ecken wecken” depot.social: Ressourcen teilen und verleihen in Leipzig

Good practice examples

ressourcerie automatique is a digital material exchange for the independent theatre scene: costumes, props and stage sets are shared here instead of being produced from scratch. It also offers workshops, consultancy and networking meetings to promote sustainable production and the conscious use of resources in cultural practice.

ressourcerie automatique: atelier automatique

Zero – Climate-neutral art and culture projects is a funding programme of Kulturstiftung des Bundes (German Federal Cultural Foundation) that supports cultural institutions in making their production climate-neutral. By adopting measures in areas such as energy, mobility and material cycles, they test concrete solutions and pass on their experiences nationwide.

Kulturstiftung des Bundes: Projects supported by the Zero Fund

Stage equipment

  • Checking whether stage equipment such as LED spotlights or loudspeakers can be reused can prevent the premature purchase of new equipment.

  • Modular components can be reused for both in-house and external productions.

  • If new purchases are made via public supply chains or shops rather than online, this reduces transport distances and emissions.

  • The use of low-wattage equipment – such as energy-efficient LED lamps – reduces electricity consumption during performances and contributes to a reduction in energy consumption.

  • Performances that require less lighting equipment reduce energy consumption. This makes an event more sustainable.

  • Purchasing new equipment that can be repaired is conducive to the long-term utilisation of resources and the avoidance of electronic waste.

  • Certain items of technical equipment and stage elements are not in use continually. Loaning them out or passing them on supports the circular economy and reduces the need for new productions.

  • A digital inventory list for stage equipment that is suitable for lending makes it easier to pass on materials to colleagues. It is also helpful for the efficient use of materials.

Good to know

Legal aspects must be taken into account when hiring out or passing on items of technical equipment and stage elements, such as liability issues, copyright and the documentation of loan relationships. Rental contracts and insurance issues also need to be taken into account.

The choice of light sources must not restrict artistic freedom. Therefore, environmental and cultural sustainability should be weighed up carefully.

It is true that energy can be saved by using low wattage. However, it is important to ensure this is not cancelled out by the use of additional devices. This can be prevented by using devices with good energy efficiency and high luminous efficacy.

Further reading

Good practice examples

The Schaubühne theatre takes social, cultural and environmental responsibility. This includes LED lighting, motion detectors, climate-friendly stage design, job tickets, electric cargo bikes and rail instead of air travel. They have been preparing an annual climate balance sheet and offsetting emissions associated with stage decoration since 2019. Plans are underway for additional measures such as the complete switch to LED and a photovoltaic system.

Schaubühne am Lehniner Platz: Sustainability

In the 2023/24 season, productions in the box at Deutsches Theater were checked for sustainability and initial measures for the 2024/25 basic stage certification were implemented: more material reuse, waste reduction, energy-efficient building technology and an initial sustainability plan. Further optimisations and a photovoltaic system will follow.

Deutsches Theater Berlin: The ETC Theatre Green Book and its use at DT

The Dutch National Opera & Ballet has been focussing on sustainability for stage sets and costumes for decades. Stage sets are erected using the modular, reusable “Layher” scaffolding system, which saves material and can be used flexibly worldwide. The costumes are also reused: fabric remnants are collected and reused; accessories and shoes are reused several times. Some costumes have even been in use for over 40 years. This allows the environmental impact to be reduced without compromising the artistic quality.

Dutch National Opera & Ballet: Sustainable set design and The costume cycle

Oper Leipzig relies on sustainable production methods and environmentally friendly materials to reduce its environmental footprint and ensure the quality of stage sets, costumes and props. Sustainability is understood as a social responsibility and is promoted by raising awareness among all employees in a targeted manner.

Oper Leipzig: Sustainable theatre workshops

Organisational structure

Production planning

  • If planning is carried out early on and with sufficient lead time – also in financial terms – everyone involved can work sustainably throughout the production process. This reduces the stress-related waste of resources and time pressure.

  • It is worth setting joint sustainability goals and planning measures already at the beginning of a collaboration. Examples include a digital programme booklet instead of a printed one, the use of recycled materials or the reuse of previous stage sets.

  • Venues with established sustainability strategies have a better chance of supporting artists and collectives in running their rehearsals and performances in an environmentally friendly way. They can ask whether existing materials can be used, for example.

  • An evaluation of the results of the measure(s) after the end of the project by artists or the production team and venue can be helpful for the next collaboration. This evaluation can also be used for progress or accountability reports.

Communication

Knowledge transfer

  • Workshops and seminars are valuable for team members, allowing them to deepen their knowledge and get motivated to produce more sustainably. It is helpful if the whole team takes part and the training courses take place on a regular basis.

  • Sharing knowledge within the team promotes joint learning. This ultimately makes implementing sustainability measures easier.

  • Communicating sustainability goals and measures to the public, sponsors and cooperation partners helps make the commitment visible. The venue thus creates awareness of sustainability issues and serves as a role model.

  • Dealing with sustainability issues in artistic work brings fresh insights and can stimulate social discourse.

  • Discussion events, lectures or information formats raise the public’s awareness of sustainability and encourage reflection.

  • Information on climate-friendly travel options, for example on tickets or flyers, as well as a “green travel plan” support audiences and artists in choosing sustainable transport options.

  • Less merchandise, no (promotional) gifts: this way, fewer resources are consumed. Some event organisers want to do merchandising and improve their environmental balance sheet. It is helpful for them to pay attention to sustainability standards. These include fair production, recycled materials, durability and environmentally friendly packaging.

Good to know

Accessibility must be ensured in communication and through a new ticket system.

Good practice examples

The PATHOS Theatre offers a climate-related costs ticket with which visitors voluntarily pay a portion of the CO₂ impact costs caused by their theatre visit. The proceeds go into the Munich Climate Protection and Transformation Fund and support local projects such as solar panels or green roofs.

Pathos Theatre: Sustainability at Pathos – Climate-related costs ticket

The Armada Theatre takes a humorous and poetic look at climate change. The consequences of human activity – forest fires, droughts, heavy rainfall – are shown to impressive effect in a live disaster film performance in miniature format. And the question always remains: where to put the homeless polar bears?

Armada Theatre: One World Is Not Enough

The “Mülheimer Müllviecher” project shows how plastic waste can be turned into participatory art and community-based environmental protection. Theatre employees and city residents work together to make imaginative creatures out of waste, raising awareness of sustainability in a playful way while nurturing a creative urban community and conserving resources.

Theater an der Ruhr: Mülheim’s rubbish creatures are on the loose

Office and backstage

Ordering

  • Fewer online orders lead to fewer emissions that would otherwise be generated during the transport of goods. A guideline such as “Do not buy from large online retailers like Amazon” supports local economies.

  • Demand-orientated order planning is helpful in the attempt to conserve resources and avoid waste. It also helps avoid returns.

  • Comparing offers from regional and environmentally friendly suppliers is helpful in reducing CO2 emissions and supports the local economy.

  • Less (plastic) packaging leads to less waste and promotes the sustainable use of resources.

Digital technology

  • Energy-efficient digital technologies – such as search engines, hardware and software, internet services, AI, video conferencing, web hosting and data transfer – reduce energy consumption. The environmental footprint of digital processes can be minimised by seeking out and choosing sustainable providers.

  • Artificial Intelligence (AI) consumes a lot of energy. Targeted, efficient use with clear added value conserves resources.

  • Digital meetings eliminate travel, thus reducing CO2 emissions.

  • Outdated or no longer required data may be deleted from servers on a regular basis. This avoids data waste and ensures that storage space is utilised more efficiently.

  • Lean digital communication encompasses emails that are limited to the essentials. A call or exchange via a messaging service is often even more sustainable.

Good to know

In the case of digital providers, it is sometimes necessary to weigh up environmental sustainability and accessibility. Zoom, for example, may not offer the most environmentally friendly server, but it is considered more accessible than many other providers, as it offers automatic live subtitles and the option to keep sign language interpreters in the frame permanently, for example.

Digital devices and systems such as servers, data centres and end devices consume a considerable amount of electricity and water. In addition, a digital infrastructure consisting of cloud services, streaming and communication technologies is often associated with significant CO2 emissions, especially if no renewable energies are used.

People who do not have smartphones or digital skills may be excluded from digital meetings. This exclusion must be prevented.

Waste separation

  • Paper, glass, plastics, metals, organic waste, textiles, wood, batteries, electronics: At some point, all of this becomes waste. If carefully separated, this increases the recycling rate and the efficiency of resource utilisation.

  • Avoiding (plastic) waste reduces the amount of waste produced and less plastic ends up in the environment.

  • Clearly labelling the waste bins helps ensure proper waste sorting and disposal. Pictograms are particularly good: As universally understandable signs, they enable waste to be correctly allocated to the bins.

  • A clearly visible explanation of the waste separation system also makes it easier for people who are not familiar with it to dispose of waste correctly.

Further reading

Gemeinsame Stelle dualer Systeme Deutschlands: Mülltrennung wirkt. Wir zeigen, wie und warum.

NABU (Naturschutzbund Deutschland) e. V.: Abfall und Recycling – Müll als Rohstoff wiederverwenden

Theater und Nachhaltigkeit: Abfallwirtschaft

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Transport and mobility

Personal mobility

  • Individual stakeholders and members of collectives can use public transport or bicycles to travel to rehearsals and performances. This directly reduces CO₂ emissions in the cultural sector.

  • By asking venues or festivals about environmentally friendly transport options or bicycles for their journeys, individual artists and collectives can also raise awareness among the teams at venues or festivals.

  • A folding bike makes it easy to cover longer distances between public transport stops.

Goods transportation

  • Express shipping is often not necessary when ordering goods. Switching to regular shipping means lower CO₂ emissions.

  • Express delivery is often associated with high CO₂ emissions.

  • Purchasing or borrowing from local suppliers instead of ordering from distant sources avoids transport costs and conserves resources.

  • Many returns can be avoided with careful planning. This also reduces emissions, simply because there is no need for transportation.

  • The use of (e-)cargo bikes or transport bikes enables more environmentally friendly and efficient transport.

  • Shipping by bicycle courier significantly reduces the CO₂ emissions caused by transport.

  • Limiting transport by car to what is necessary is helpful in the endeavour to reduce emissions and conserve resources.

  • Choosing haulage services with low-emission fleets improves the carbon footprint of transport.

  • Using ground-based transport for shipments within Europe compared to air freight minimises the environmental impact of transport.

  • Organising intercontinental tours as sea freight instead of air freight significantly reduces CO₂ emissions.

  • Scenographers and technicians might consider replicating stage sets on site. The emissions associated with transporting stage sets can be eliminated by using replicas.

  • Logistics companies with fuel-efficient vehicles enable sustainable and efficient transport.

Good to know

In terms of sustainability, it makes sense to reduce the transport of materials as much as possible – without disproportionately restricting artistic freedom. All those involved in production are asked to carefully weigh up the feasibility from different perspectives.

Further reading

UTOPIA – Der Ort für Nachhaltigkeit: Klimaneutraler Versand: Wer bietet ihn an? Was bringt er? (Kostenpflichtig oder mit Werbung)

DHL Freight Germany: GoGreen@ DHL Freight: Erkunden Sie die grüne Zukunft der Logistik

Fahrwerk Kurier*innenkollektiv: Stadtfahrten

fLotte Berlin e.V.: fLotte Standorte in Berlin & Umland

Bundesamt für Wirtschaft und Ausfuhrkontrolle: Förderung zur Anschaffung von E-Lastenfahrrädern

Mobilitätsheld – Greenbike Shop: Lastenrad-Förderung 2025: Übersicht der Kaufprämien

ADFC-Hildesheim e.V. – Hilde Lastenrad: Hilde – Das freie Lastenradsystem für Hildesheim

Good practice examples

Binge Culture (NZ) and machina eX (GER) are developing a sustainable model for international collaboration without air travel. “Disaster” (2024 in Wellington) and “You and A.I.” (2025 in Düsseldorf) are created through mutual reinterpretations of existing plays. Two hybrid events make the model usable for other artists.

Goethe-Institut: Your Play is My Play and My Play is Your Play

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